选择音轨
标题:Lateralus
副标题:(transcribed by Maitinin)(吉他社www.jitashe.net)
标签: 总谱
艺人:Tool
专辑:Lateralus
作词:Carey, Chancellor, Jones, Keenan
作曲:Tool
制谱人:Jon Sebastian Frederiksen - 17th /February /09
The feeling of the intro is rather tricky as it can be notated two ways: straight 4/4 and shuffled 4/4 (12/16 is just another way of writing shuffled 4/4). The bass and drums play shuffled, and the guitar plays straight, which makes it confusing to notate. In the Intro-Reprise however the guitar plays shuffled along with the bass, so the riff there is different. There the drums actually starts to play poly-rythmic 5/8 on top of everything, so these parts are very complex. ___________________________________________ Check my out my guitar text-tab for the song as well: http://www.ultimate-guitar.com/tabs/t/tool/lateralus_v er6_tab.htm ...and check out my bass text-tab for it as well: http://www.ultimate-guitar.com/tabs/t/tool/lateralus_v er3_btab.htm
和弦:open whammy one ocatve close
Don't worry about the seemingly complicatedCrescendo over the next 34 bars :)Crescendo over the next 34 bars :)notation, just pretend to play straight 4/4.From here it's just this 4-bar riff 6½ times.strum, feed and fade inThis guitar track is dubbed in both sidesto create this massive guitar sound.Black,then,white are,all I see,in my in - fan - cy,Red and yel - low then came to be,Rea - ching out to me,Let's me seeAs be - low so a - bove and be - yond Ii - ma - gine, Drawn be - yond the linesof rea - son, Push the en - ve - lope,Watch itbendO - ver think - ing,___O - ver___- an - a____ - ly - zing se - pe - rates thebo - dy from the mind_With - er___ - ingmy__in - tu- i - tionMis - sing____op - portu - ni - ties AndI______ mustfeed my____will to_____feel thismo___ - mentDra - wingway out- side the lines____These verses and this pre-chorus are similar to previous (bar 87-118 = 44-75).Red and yel - low then came to be,Rea - ching out to me,Let's me seeThere is,so,much,more and, beck - ons me,To look through tothesein - fi - nite pos - si - bi - li - ties Drawn out - side the lines Push the en - ve - lope, Watch it bendNote that the first 3/8-bar is cut out this time.Note that the first 3/8-bar is cut out this time.Note that the first 3/8-bar is cut out this time.my__in - tu____- i - tion___Lea - vingtu - ni - ties be - hind________Let the wah pedal stay in open position throughout the entire solo to gain treble.Feed__mywilltofeel___this*up*downmo___ - mentUr - ging*upme to cross the lineRea - chingout to em- brace the ran - dom- brace what- ev - er maycomeThe drums play in a poly-rhytmic feeling of 5/8,The drums play in a poly-rhytmic feeling of 5/8,Here is played in a poly-rhytmic feeling of 5/8, which means it takes 5 bars for the drums which means it takes 5 bars for the drums to catch up with the rest of the band. which means it takes 5 bars for the to catch up with the rest of the band.drums to catch up with the rest of the band.A good reminder for the following four rounds isSo here the rhythm loops! that the riff is simply extended each round.Such additional closed hi-hat strums are on a seperate track in the right speaker....and here it loops again!I em___ - brace_____ my___________________de - si - re____ to____...and again...I em__ - brace______my_________de - si - re_________ To_____feel____ the____ rhy_______ - thm________Now it's just the full-extended riff four times.Continue with the same poly-rhythmic feelingfor this new rhythm.To____feel_____ con - nec___ - ted___E - nough to step______a_____ - side___ and___...it loops here...weep likea_____ wi_______ - dow________ To______feel_____ in____ - spi______ - red_________fa - thom the____ pow_______ - er_________...and here...wit - ness the beau___ - ty________bathe in the_____ foun______ - tain________swing on the____ spi_______ - ral______And finally these extra four bars.Toswing__ on the____ spi_______ - ral__________To___...and finishes here, phew! ;)swing on the____ spi__ - ral____ of____our______di___ - vi_______ - ni____ - ty____And___still be a____ hu________ - man_________pickscrapePlay around with the wah-pedal.pickscrapeWhammy all the marked notes one octave up and down.Withfeetu- pontheground Imove my - selfbe- tween the sounds Ando - penwide tosuckitinIfeelmovea- cross myskinI'mrea - chingupandrea - ching outI'mfortheran - domorwhat- e - verwill- wil - dermeWhatme Andfol - low - ingourwillandwindWe Open and close the wah-pedal oneach marked strum.mayjustgowherenoone'sbeenWe'llridespi - raltoendAndSpi - ral outKeepgo - ing
Black then white are all I see in my infancy.
red and yellow then came to be, reaching out to me.
lets me see.
As below, so above and beyond, I imagine
drawn beyond the lines of reason.
Push the envelope. Watch it bend.
Over thinking, over analyzing separates the body from the mind.
Withering my intuition, missing opportunities and I must
Feed my will to feel my moment drawing way outside the lines.
Black then white are all I see in my infancy.
red and yellow then came to be, reaching out to me.
lets me see there is so much more
and beckons me to look through to these infinite possibilities.
As below, so above and beyond, I imagine
drawn outside the lines of reason.
Push the envelope. Watch it bend.
Over thinking, over analyzing separates the body from the mind.
Withering my intuition leaving all these opportunities behind.
Feed my will to feel this moment urging me to cross the line.
Reaching out to embrace the random.
Reaching out to embrace whatever may come.
I embrace my desire to
feel the rhythm, to feel connected
enough to step aside and weep like a widow
to feel inspired, to fathom the power,
to witness the beauty, to bathe in the fountain,
to swing on the spiral
of our divinity and still be a human.
With my feet upon the ground I lose myself
between the sounds and open wide to suck it in,
I feel it move across my skin.
I'm reaching up and reaching out,
I'm reaching for the random or what ever will bewilder me.
And following our will and wind we may just go where no one's been.
We'll ride the spiral to the end and may just go where no one's been.
Spiral out. Keep going, going...