from "King Athur" (or The British Worthy) Libretto by John Dryden 1691. This is the first piece in the book where notes in the melody and bass are played in unison. When playing two notes together tey and maintain the use of apoyando with the fingers whilst using a free stroke with the thumb. The fingering in bar 12 is to enable you to use apoyando on the A in the melody.