Complete arr. of the studio recording, so you can play 
along with it (actually there's no guitar2 on the 1st 
verse). Or sing along with the score, and have a 
friend (invite GM! ;-) play lead, or harp, or whatever.
Chord names are done in a 'pop', i.e. non-classical, 
way and always based on root notes. I tried to maintain 
some of the bass (+strings!) parts. [scroll down!]
I've kept some arpeggios where the cd plays 
stacc.chords (bars 14/15) and a little freedom at bar 
16. Sounds nicer when you play with just a voice 
and/or harp. Check it out and do as you please!
The 'glissando' at bar 15 comes 'natural' when you shift 
from Am to D9(no5) on the 4th fret (finger2 on 5th fret).
In the 'silly' chords at bar 22 I tried to combine bass 
and strings into one chord, resulting in some weird 
stuff, but: why not?
To see dynamics and duration: press F11 and F12, 
and use it as a 'standard' from now on. Great options!
To jump through the score: use the Markers!
Looking for the lead score? Download baris yildiz's 
"Moore, Gary - Still Got The Blues.gp3" from 
www.MySongbook.com. His lead part is quite 
acceptable, but for the rhytm part . . . use mine! 
BTW I think a time signature of 12/8 is better here 
than a shuffled 4/4. Drum accentuation in yildiz's 
version is wrong: it should be on counts 4 and 10, so 
"it's got a back beat, you can't loose it!" Correct it or 
mute it - but don't play it.
Have fun!