葛莱美最佳年度男歌手贾斯汀,年度最HIGH最好玩排行冠军大碟《爱你无罪》，黑色流行新人王超级男孩“贾斯汀”。 拥有全球超过3知万专辑销售的“超级男孩”贾斯汀已全然准备就绪，好好的发挥他个人的创作实力，发行他个人的最专辑《爱你无罪》，最新专辑的第一支单曲《LIKE I LOVE YOU》在美国媒体及音乐界深获好评，并且也堂堂登入美国告示单曲排行傍的第十四名，他的音乐创作风格及舞蹈表演的天份无不让人惊叹！ 在最新的个人专辑《爱你无罪》贾斯汀一口气创作了13首曲子，再度证了身为一名创作歌手的实力而绝非只是一名偶像男孩！从小就深受60及70年代音乐曲风熏陶的贾斯汀，这一次他找来了许多著名制作人和他一起完成这张专辑，这些制作人包括了THE NEPTUNE、BRIAN MCKNIGHT、UNDERDOGS等人。美国东岸最知名的嘻哈音乐王牌制作人THE NEPTUNES在《爱你无罪》中制作了7首歌曲，其中包括了第一首主打歌“LIKE I LOVE YOU”这首带点R&B，嘻哈曲风，摇滚味道的歌曲，专辑中其他由THE NEPTUNES所制作的歌曲还有结合摇滚与R&B的“ROCK YOUR BODY”及集合西班牙热情曲风及蓝调影响的“UENORITA”。 《爱你无罪》是贾斯洒年轻心灵结音乐情感最深的体会，这也是他献给歌迷们最诚恳的音乐作品！

Growing up is hard to do, as any teen pop idol will attest. Still, showbiz kids are nothing if not savvy, so they know it's better to make the jump than to idle as an idol, no matter how hard that jump may be — and no matter how hard they try, it's hard to judge the distance, and they may miss their mark. With his debut solo album, Justified (face it, that title was a given), Justin Timberlake misses his mark slightly; he hits much closer than fellow Mickey Mouse Club alum Christina Aguilera did with her Stripped, but he's uneasy as a suave, mature loverman, particularly because much of his stance is borrowed directly (and rather improbably) from Michael Jackson. JT — a shorthand nickname that's distressingly inevitable — shamelessly borrows from Jacko, from the Thriller-era getup and poses to the sharply modernized spin on the classic Off the Wall sound. To be sure, the sound of the Neptunes productions which dominate Justified is the best thing about the album; they have a lush, sexy, stylish feel that is better, more romantic than most modern R&B. Too bad they're delivered by such a cipher. Though he's turned into a technically skilled vocalist, he's still too much of a showbiz kid — all technique and surface, not much substance. His falsetto may be smooth, but it's utterly without character, which unfortunately describes the songs too: pretty on the surface, but devoid of memorable hooks. This means that what truly stands out is when he breaks from form and tries to prove how street and hip he is, delivering awful double-entendres like "I can think of a couple of positions for you" and "get real wet if you know what I mean" and exhorting the fellas and ladies to sing separately in a cringe-worthy affectation on "Senorita." When he sings that he'll "have you nekkid by the end of the song," he doesn't sound like a seductor, he sounds like a kid actor awkwardly assuming a new persona. This isn't without merit — the sound, apart from some flop Timbaland productions (which he redeems with the slinky funk of "Right for Me"), works well, and if these cuts were songs instead of tracks, his bland falsetto would be fine. This sure isn't the musical immolation of Christina's ugly Stripped. Unlike that album, this suggests a direction Timberlake could follow in the future, given stronger songwriting collaborators. But Justified is just sound and posturing, with no core. [Bad packaging alert: the foldout booklet for Justified is merely stuck into the digipak for the album, with no sleeve or slot to house it; it's guaranteed to get beat up or lost.]