Portrait of an American Family is the debut full-length studio album by American heavy metal band Marilyn Manson. It was released on July 19, 1994 in the US through Nothing and Interscope Records. It was produced by the band's frontman and Trent Reznor of Nine Inch Nails. The album was initially known as The Manson Family Album – a direct reference to serial killer Charles Manson's own band – but was retitled prior to release.

It is the first and only Marilyn Manson studio album that bassist Gidget Gein plays on. Gein was fired from the band after its production following a very public and destructive heroin addiction and Twiggy Ramirez, the band's roadie and friend of Gein and Manson, was put as a temporary replacement while Gein got clean and sober. He eventually took over Gein's place and briefly adopted his image. Contrary to popular belief, Ramirez did not play bass on the album. Though Sara Lee Lucas was the featured drummer on the album, Nine Inch Nails live keyboardist Charlie Clouser used a drum machine to replace the work Lucas did. Daisy Berkowitz helped compose music for all of the songs except "Prelude (The Family Trip)" and "Sweet Tooth."

The album was certified Gold on May 29, 2003 by the Recording Industry Association of America (RIAA) in the United States. It spawned three singles ("Get Your Gunn", "Lunchbox" and "Dope Hat"). (wiki)

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by Stephen Thomas Erlewine

Coming up screaming from the depths of Florida -- there being no scarier state in the union -- Marilyn Manson cannily positioned themselves as a goth-industrial hybrid on their debut album, Portrait of an American Family. At this stage in their evolution, Marilyn Manson was clearly a band, not just the project of Brian Warner, aka Mr. Manson, who would later simply adopt his band's name as his own. Also, horror-show schlock was a bigger factor than it would be later on, when he wanted to be the Antichrist Superstar for the world at large. In other words, it's Manson at his silliest, singing about "My Monkey" and "Snake Eyes and Sissies." Beneath all the camp shock, there are signs of Warner's unerring eye for genuine outrage and musical talent, particularly on the trio of "Cake and Sodomy," "Lunchbox," and "Dope Hat." But even a few years on from its 1994 release, Portrait of an American Family began to sound a little dated, especially since its Nine Inch Nails-meets-W.A.S.P.-meets-Alice Cooper formula was fully realized on Manson's follow-up album, Antichrist Superstar. Here, it's in sketch form, and by the end of the album it's clear that Warner, Manson, whatever you want to call him, needs a full canvas to truly wreak havoc.